As part of the Hong Kong Arts Festival, RAW was invited to view the American dance company Momix’s latest creation, Bothanica. Claire Johnson reviewed the show.Bothanica promises ‘a visual evocation of the four seasons’, with dancers recreating vibrant images of nature against a sparse backdrop. Creative Director, Moses Pendleton is one of America’s most widely performed choreographers and directors, creating ‘dancer-illusionists’ through light, shadow, props and the human body. The show was opened by a large piece of white material billowing across the stage floor, suddenly transformed by lights into a fast flowing river with emerging bodies. This really does set the tone for Pendleton’s show, visually effective yet sometimes a little baffling. The first act really capitalized on its extravagant props and effects, and at times it felt as though these were the real stars of the show. There were some choreographic highlights, namely a stunning solo piece set on a sloping mirrored platform and ‘Primavera’, displaying fluid, elegant partner work. The contrast of styles did make it feel a little disjointed at times, although I must admit my attention did not stray for one minute, so they must have been doing something right. The second act is when […]
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